Pieter Bruegel I (ca. 1525/30–1569), commonly known as Pieter Bruegel the Elder, was the greatest member of a large and important southern Netherlandish family of artists active for four generations in the sixteenth and seventeenth centuries. A longtime resident of Antwerp, the center of publishing in the Netherlands and a vibrant commercial capital, Bruegel brought a humanizing spirit to traditional subjects and boldly created new ones. He was an astoundingly inventive painter and draftsman, and, due to the continuity of the family trade and the industry that developed inprintsafter his works, Bruegel's impact was widespread and long lasting. Born in or near Breda sometime between 1525 and 1530, Bruegel settled fairly early in Antwerp, where he became a master in the painters' Guild of Saint Luke between 1551 and 1552. After a trip to Italy, he began a longstanding association with Hieronymus Cock, whose Antwerp publishing house, At the Four Winds, produced prints on a range of subjects, from parables to landscapes. Between 1555 and 1563, Bruegel made over forty designs for engravings, capitalizing on the strong market demand for images in the style or manner of Hieronymus Bosch (ca. 1453–1516). Bruegel'sBig Fish Eat Little Fish(1557, Vienna, Albertina) was even attributed to Bosch in Cock's print, though all subsequent engravings were inscribed "Bruegel inventor." The novel and ingenious way in which Bruegel translated moralizing subjects into vernacular language is most apparent in his original drawings and paintings, such as Netherlandish Proverbs(Berlin, Gemäldegalerie, Staatliche Museen), which depicts over 100 proverbs in the familiar setting of a Flemish village; it became one of the artist's most popular images—at least sixteen copies of the painting are known. In religious or mythological depictions, such as the Fall of Icarus (Brussels, Musées Royaux des Beaux-Arts), Bruegel expanded the viewers perspective to make the titular action but one part of a startlingly broad vision of the natural and cultivated world.
Source:Pieter Bruegel the Elder (ca. 1525/30–1569) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
!Mira que luna! Look at that moon! Resources for learning English
Fernando Olivera: El rapto.- TEXT FROM THE NOVEL The goldfinch by Donna Tartt (...) One night we were in San Antonio, and I was having a bit of a melt-down, wanting my own room, you know, my dog, my own bed, and Daddy lifted me up on the fairgrounds and told me to look at the moon. When "you feel homesick", he said, just look up. Because the moon is the same wherever you go". So after he died, and I had to go to Aunt Bess -I mean, even now, in the city, when I see a full moon, it's like he's telling me not to look back or feel sad about things, that home is wherever I am. She kissed me on the nose. Or where you are, puppy. The center of my earth is you". The goldfinch Donna Tartt 4441 English edition
Saturday, April 9, 2011
Longlife learning. Pieter Bruegel the Elder - Selected Works. Learning English through art. 09-04-2011.
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