Primavera (Allegory of
Spring)
As mythology paintings entered
into Renaissance art, Botticelli broke new ground with his work. He was the
first to create large scale mythology scenes, some based on historical accounts
of mythology. Botticelli chose to center his mythology work on what the Medici
family requested, especially the younger generation. In the time period that Primavera was painted, minds were open to new
ideas. Religion no longer needed to be the main subject of artist work. If the
mythological works had been painted 100 years earlier, they would not have been
accepted by the church because the paintings were so different than traditional
paintings.As the years have gone by, many interpretations have been given for the Primavera. Research has complied over the years and the context in that Primavera was painted in has been found. The central theme of the Primavera is one of love and marriage and when done in the right order will bring forth sensuality and fertility. This painting, the largest mythological painting in the Early Renaissance, was commissioned by the Medici family. The painting was hung in the bedroom of a bride to a member of the Medici family.
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