Blogger Widgets Blogger Widgets ¡Mira que luna......! Look at that moon....! Resources for learning English: LEARNING ENGLISH THROUGH ART: AGOSTINO CARRACCI. (Born 1557, Bologna [Italy]—died Feb. 23, 1602, Parma).

!Mira que luna! Look at that moon! Resources for learning English

!Mira que luna! Look at that moon! Resources for learning English
Fernando Olivera: El rapto.- TEXT FROM THE NOVEL The goldfinch by Donna Tartt (...) One night we were in San Antonio, and I was having a bit of a melt-down, wanting my own room, you know, my dog, my own bed, and Daddy lifted me up on the fairgrounds and told me to look at the moon. When "you feel homesick", he said, just look up. Because the moon is the same wherever you go". So after he died, and I had to go to Aunt Bess -I mean, even now, in the city, when I see a full moon, it's like he's telling me not to look back or feel sad about things, that home is wherever I am. She kissed me on the nose. Or where you are, puppy. The center of my earth is you". The goldfinch Donna Tartt 4441 English edition

Saturday, June 4, 2011

LEARNING ENGLISH THROUGH ART: AGOSTINO CARRACCI. (Born 1557, Bologna [Italy]—died Feb. 23, 1602, Parma).



Agostino Carracci,  (born 1557, Bologna [Italy]—died Feb. 23, 1602, Parma), Italian painter and printmaker whose prints after paintings by Federico Barocci, Tintoretto, and Titian circulated widely throughout Europe and were appreciated by Rembrandt, among other artists.
Agostino was the older brother of the painter Annibale Carracci, with whom he traveled in northern Italy, visiting Venice and Parma. Agostino’s early work demonstrates the influence of the Venetian painters Tintoretto and Paolo Veronese. He subsequently followed the lead of his brother Annibale, whom he helped decorate the Galleria of the Palazzo Farnese in Rome from 1597 to 1599. In the latter year Agostino left Annibale to serve as court painter for Ranuccio Farnese in Parma; he died there without completing his own major endeavour in fresco, the decoration of a room in the Palazzo del Giardino. Agostino’s painterly style was drier and less proficient than that of his brother. Engraving formed a major part of his output from 1580, however.

No comments:

Post a Comment